It's been a pretty good weekend so far, even when you factor in that I have to work today.
* We went to Folklife yesterday and had a great time. We got to Seattle Center just in time for the end of the Ukulele Showcase. We missed the Seattle Ukulele Orchestra, which I would have loved to have seen, but we got there in time for the act I wanted to see.
The Canote Brothers are identical twins who play old time fiddle tunes and novelty songs, primarily with Greg on the fiddle and Jere on the guitar, or in this case the ukulele. They spent 13 years as the backup/sidekicks for Sandy Bradley on her NPR show
Pot Luck. We found out about Pot Luck a year or two before they went off the air, and it was great fun to go down to the old MOHAI building off of Montlake, sit in the auditorium and watch them do the show live on Saturday afternoon. (Side note: Bill Radke, who spent some time on various public radio shows and is now with one of the local commercial stations, is a
Pot Luck alumnus. My favorite memory of him from those days was a news review the week Bill Gates got engaged to future wife Melinda: "There was one lucky winner in the $8 billion dollar lottery this weekend.")
Greg and Jere play exactly the kind of music I like. Corny, down-home, humorous if not necessarily out-and-out funny (although some of their bits are hysterical, like a Cliff Friend tune called "Wahoo" that featured Greg doing a flatulent bass line) and genuinely American. I picked up a couple of their CDs at the Folklife store and really wish I had the money to buy a few more.
Then it was off to pick up a couple of piroshkies. A local restaurant called "Kalinka Kalinka" has a portable piroshki booth, and every year they set up at the same corner near the Intiman Theater's back corner and deal out the tastiest beef-and-cheddar piroshkies you ever laid a tongue on. If you've never heard of a piroshky, it's sort of like a humbow but deep-fried rather than baked. They also sell a salmon and cream cheese piroshky; ours were still pretty hot 15 minutes after we bought them. And I think they have a vegetarian option - most food places at Folklife do - but those two are tasty enough that those are the ones we go for.
Finally, we got in line to get in to the choral concert. We were informed that the program was wrong and the show would start at 7:30 instead of 7:00, but the weather and the company were both pleasant so we didn't mind. Miss Thing brought along a . . . well, might as well call him a boyfriend. I'll probably post more about him later. A couple of their friends from school met them when we got to Folklife and we descended on the choral concert as a group.
First up was the Seattle Women's Chorus. Normally numbering about 200 members, this time around they had a smaller "outreach group" of about 75. Anyone expecting the old choral standards like Mozart and Randall Thompson might be disappointed, as the SWC's set consisted mostly of love and love-ish songs, such as the British WWII standard "A Nightingale Sang In Berkeley Square" (covered by the Manhattan Transfer) and "The Shoop Shoop Song" ("It's In Her Kiss").
Yes, her kiss. Did I mention that the Seattle Women's Chorus has a decidedly gay inclination? They're part of Flying House Productions, an umbrella group that includes both the SWC and the Seattle Men's Chorus, along with a gay/straight youth alliance chorus. Together the SWC and the SMC bill themselves as the largest community chorus in North America, "bigger than the Mormon Tabernacle Choir."
Oh, and the SWC had an ASL interpreter who was pretty good. Thanks to Dancing Hands I've come to appreciate the dimension an ASL interpreter adds to a music performance.
Then the Seattle Men's Chorus was up, and they are very much a gay men's organization. They come right out, so to speak, and say so. They led off with a spoken word plea for voters to come out in November and support Washington's same-sex marriage ballot measure, for one thing. Their set consisted of Beatles tunes, from "Hard Day's Night" to "Hey Jude," capped off by "Imagine" which isn't strictly a Beatles tune but fits, and fits in with their message of the evening.
Again, the SMC was a smaller outreach group of about 40 singers. I saw the full group once before, in about 2005 when Lucy Lawless of "Xena" fame came to town to do a choral staging of "Gentlemen Prefer Blondes." It was quite impressive.
After the SMC was a group called the Northwest Girlchoir. Again, this was a smaller subset of the organization, but about 80-90 girls in two groups, one from about 7-10 years of age and another about 10-14. Now the SWC/SMC were good, but these girls were fantastic. Their harmonies were right on, they mostly attacked and released together, and they had very good stage presence. Not content to stand there and sing, they did hand gestures to accompany several of their songs. This turned "Blue Skies" for the younger group and "You Can't Hurry Love" for the older girls from straight-up arrangements of pop tunes to memorable performances.
And finally, a group of high school students from Burien came on to do selections from a staging of "Oklahoma!" they put on earlier this year. Some of the songs you would expect to hear in such a performance, like "Oklahoma" and "Oh What A Beautiful Morning," but I must admit I didn't expect to hear Ado Annie singing "I'm Just A Girl Who Cain't Say No" or Curly and Jud doing "Jud Frye Is Dead." Both of them did a stellar job. Heck, everybody did a stellar job, including staging dance numbers for "Everything's Up To Date In Kansas City" (although I notice they left out the verse about the "burly-que") and "The Farmer And The Cowhand Should Be Friends." And although Curly had a mike for a couple of his numbers, by and large the kids filled the auditorium just by projecting.
All in all it was a great day and everyone involved had a good time.